Wednesday, 29 May 2013

Only a fool

Procrastinating with Perry Iles, author of A Dictionary of Linguistic Absurdities 

A world become one, salads and sun, only a fool would say that.

With those lyrics, Steely Dan closed the door on the hippie dream in the very early seventies. It was probably a retort to Altamont and the Manson Family. But at the same time, Donald Fagen and Walter Becker were opening another door and politely ushering us into the future of rock and roll. None of this California nonsense, just slick music. Rock and roll put its suit on, ate its recto-crunchies like a good boy and went to work on time. Fagen and Becker themselves looked and often sounded like a pair of Jewish accountants badly disguised as freaks, but the point was that the first Steely Dan album, Can’t Buy a Thrill, represented a paradigm shift in music, just like the Sex Pistols’ Never Mind the Bollocks and Nirvana’s Bleach. Back then of course it was just a band making an album and hoping for the best.

The future is odd; you can never predict where it’s going to go, because like most human and earthly laws it’s governed by pure chance and luck. But the trouble with the future is that it very rapidly becomes the past, and because of the random nature of chaos a lot of predictions wind up sounding really stupid. I once read an article from about 20 years ago which said with all confidence that these new-fangled DVD things would be soon be called “Davids”. It’s obvious why, but somehow the collective human consciousness didn’t make that linguistic shortcut and it would sound ridiculous to suddenly start watching pornographic davids, unless you were Victoria Beckham perhaps. Or Elton John. Another thing predicted with great confidence was nuclear powered cars. School buses made of glass and powered by sparks and hydrogen would probably have been safer, but the Ford Motor Company in 1958 invested money, time and effort and came up with the Ford Nucleon, a concept car with its own onboard nuclear reactor in which you could drive your children to school extremely carefully. Now I’m no fan of the Toyota Prius or the Nissan Insipid or whatever those cars are that run on the breath of fluffy bunnies and fairy-dust, because their construction factories and shipping costs have taken up vast swathes of rain forest, giving them a carbon footprint the size of Wales that everyone conveniently ignores and resulting in a very ugly car which only Sting or Bono would drive. Buying a second-hand diesel Range Rover is a much greener option, but if humans are arrogant enough to think they can permanently change the environment of an entire planet they should stand in the middle of Siberia for a week to gain a proper perspective on how important they are before trying to predict how hot it will be in 2050 because of Jeremy Clarkson. But given the choice between a Ford Nucleon and a Toyota Prius I’d probably opt for the latter, because I like my daughter and I don’t want to see her grow another head or have her face rot off.

Many people write about the future. Often they do so to showcase their own views on the present and offer up a dystopia that will of course happen if nobody listens to their thinly disguised metaphors. One thing that we can be sure of is that the past will repeat itself because humans are stupid creatures who refuse to learn very much, so you’re on pretty safe ground if you want to write a science fiction novel based on concentration camps in the Cillit Bang Nebula or ethnic cleansing on the moon or the subjugation of women in the fifth dimension, but if you want to write a futuristic novel based on your own ideas of what the future might hold, you have to be a pretty imaginative fantasist.

Which brings me in a circumambulatory fashion to David Mitchell and Cloud Atlas, for two reasons. First because it’s a very good book indeed, which describes the future in a way that doesn’t grab the reader by the scruff of the neck and say “See! Look what will happen if you don’t listen to my genius-level idealistic bollocks!”, and secondly because it features a place called Great Chesterford, where I used to live. Better still, it features the village station, in which I had some fairly uproarious times involving alcohol, barmaids and occasional narcotics in the 1980s. You don’t often expect to go to a station in order to get drunk and/or stoned, and it was of course also possible to catch trains there, but in the late seventies British Rail, or whoever ran our railway system in those nationalized days, sold the building at a knockdown price and it was bought by some people who turned it into a bar and restaurant and became friends of mine over the course of a few years of incipient alcoholism. I was married at the time and frankly I wasn’t a very nice fellow in those days, so let’s just say that it all ended badly, there were tears before bedtime and some people got hurt and leave it at that because that isn’t what I’m going to write about. But the thing was that the station building actually straddled the county line between Essex and Cambridgeshire, and neither county’s police force wanted jurisdiction over it, so they just left it alone. The result was that it knew no such thing as closing time and often stayed open until everyone either passed out or went home. The restaurant was good one, based on Spanish dishes and the Spanish sense of time which meant that people would call in for something to eat at midnight and stay until they were too drunk to stand up. 

A friend of mine once popped down there for a lunchtime drink on Sunday and didn’t get home until Wednesday evening. His wife wouldn’t let him in so he went and bought a bunch of flowers and fed them through the letterbox one at a time until she forgave him. It took quite a lot of flowers. We were younger then, and didn’t care about the future and what it might bring. I used to go to racecourses with Doug, the owner. We’d take his dog so the police wouldn’t breathalyse us. It was Doug’s contention that the police never breathalysed anyone with a dog in the car, because they’d not only have to arrest the driver, they’d have to wake up the dog handlers and get them to open the pound to house the dog until the driver was sober enough to go home. That was evidently too much hassle. So when Doug rather predictably got banned for a year he employed me as his driver and we would zip around the country in his Mercedes dressed in suits and car-coats pretending to act like George Cole and Dennis Waterman off of Minder. In reality I cashed the family allowance and lost it on the horses and came home uproariously pissed and the person I was married to at the time was not pleased with me.

But of course, while I was being a middle-class rebel there were other things going on in the world beyond. The reason the restaurant specialized in Spanish food was that the cook and part owner was Spanish. She was fiery, tempestuous and highly strung. Let’s call her Manuela. She was married to a publisher in the nearest town who was fluent in Spanish and they had three beautiful daughters who were fluent in both languages and in Catalan too. The publisher had as his main client the Argentinean education system, part of the Argentine government, and he and Manuela would often wine and dine their British representatives in the restaurant. He published atlases for the Argentineans, and it was obviously a lucrative business. Their standard of living was high and their beautiful daughters were all in private education, and he’d bought Manuela half of the business to run with Doug, whose Mercedes I was driving from one racecourse to another by then.

So, it was the early 1980s and everything was going along quite nicely until that Thatcher woman decided to shore up her popularity by killing some South Americans. Doug and I, thundering between Cheltenham and Chepstow racecourses wearing our carcoats, listening to Dire Straits on the 8-track and drinking from the bottle, thought this a splendid idea. Manuela, Spanish and married to a Cambridge man with enough intelligence and empathy to see beyond the jingoism, came to a very different conclusion, especially after we sank the Belgrano. I was back from the racing by them, sitting at the bar with Doug and drinking, for some reason, Pernod, when she came running through the crowded restaurant from the kitchen brandishing a large meat cleaver and shouting “Bastardes! Inglès dogs! You sink my sheep. My-a sheep! You all fuckeen bastardes!” The drinkers at the bar yelled back at her and a couple of days later we sellotaped the Sun’s Gotcha headline to the swing-door that led through to the kitchen. Whether the Belgrano was in or out of the exclusion zone was not discussed, nor was whose exclusion zone it was anyway and whether it was legal or not. David Mitchell again, this time in Black Swan Green, quoted an Argentinean minister as saying “Britannia once rules the waves. Now she just waives the rules.”

It made little difference to us in our quiet, drunken Essex/Cambridgeshire backwater. The troop ships arrived in Argentina, everyone thought that Robert Wyatt’s Shipbuilding was hippie bollocks and we carried on listening to Dire Straits. Manuela’s husband kept on talking with his Argentinean counterparts in Buenos Aires. He kept on publishing their atlases, in which the Falkland Islands were referred to as Las Islas Malvinas, and he kept getting paid by the Argentineans. Then of course, the Argies started to fight back. On the day HMS Sheffield was blown to bits by exocets and some bombs we’d sold them once, Manuela came running through from the kitchen again with her cleaver, laughing and yelling “We keel you! We seenk your fuckeen sheep! We weening now!” She did a little dance and ran back into the kitchen, and that night the food was especially tender and the portions larger than normal. Over the next few days the Argentineans did lots more damage and Manuela did a lot more shouting and dancing and it looked as if we might have to retreat. Margaret Thatcher single-handedly held the nation’s resolve through the crisis and sent in the SAS to fight some teenage conscripts, with predictable results.

And of course the intelligence services and the press got to work stirring things up and perpetuating a little more hatred – an easy task, because we’re people, it’s what we do best. The Sun or the News of the World or some such scurrilous little amoral redtop got hold of the fact that Manuela’s husband had a lucrative contract with the Argentine school system and was therefore of course supporting their ideological struggle to retain las Islas Malvinas. Communications were supposed to be cut. “I just phone them up,” he said, “I publish books for them, they give me money; that’s how capitalism works, go ask the Prime Minister. Her son probably sold them the weapons they blew our soldiers up with anyway.” That explanation didn’t work for the paper’s readership. He was a traitor in our midst and his wife was suddenly Argentinean, and not from Barcelona at all.

I wandered down to the bar for a drink one day shortly after all this. There were three black Rovers with tinted windows parked outside. I went to go in and was stopped by someone in a suit. “They’re shut” he said. I went home again. They were shut all day, but reopened the following evening. Doug and Manuela and Manuela’s husband had been thoroughly questioned by MI5 officials. The school atlas contract was no more, the restaurant was very quiet over the next few weeks. I phoned the bar one day, I can’t remember why, and heard double-clicks when Doug answered and a funny burring noise after I’d hung up. They were tapping the phone. So, of course, being almost permanently drunk I told some other people and we started phoning the bar when we knew there was no one there so we could leave obscure messages on the answerphone:

This is the Station Restaurant and Bar, please leave your message after the tone:
“Grandmother says the butterflies have landed. I repeat, Grandmother says the butterflies have landed…”
“…the moon will be blue on the fourteenth. I repeat, blue on the fourteenth…”

…and so on. We stopped in the end. It was only funny for a short while. Manuela’s husband’s business suffered, the restaurant’s popularity diminished, Britain won the war, Thatcher got re-elected, a couple more years ticked by and I began to hallucinate occasionally and do stuff I couldn’t remember doing. The person I was married to decided she didn’t want to be married to me any more and I can’t blame her. I stopped wearing carcoats, going racing or listening to Dire Straits. I started a diet that consisted mainly of lager and amphetamines and marijuana and began to think that horse-racing was not really that enjoyable and that Sonic Youth and the Ramones were much more fun to listen to than Dire Straits. The drink took Doug. Before the restaurant closed he slept through the winter in one of the upstairs rooms, woke with frost on his covers from his own breath and started his days with whisky-and-milk and Marlboro while his Mercedes rusted outside in the rain. Then the bailiffs called and he went to Suffolk and died. I don’t know what happened to Manuela or her husband. Cancer took the man who posted flowers through his wife’s letterbox. A stroke took Thatcher a long time later and the nation danced for a bit like it was the 1980s again, all shoulderpads and tight perms. And me? I’m still here. Not many would have predicted that, but hey ho, let’s go, can you give me a gabba-gabba-hey? Still putting pen to paper and lucky enough to be of reasonably sound mind.

What of the future? The events I’ve described here took place thirty years ago. I expect that in thirty years’ time I’ll be dead too, but only fools or geniuses should predict. I’m glad I have no window to the future, because I’m scared shitless of the questions I might ask it about my daughter or my wife and the answers I might want to erase from my mind afterwards but would instead be forced to live with. Or questions about the world, which continues to be run by charlatans, thieves and crooks – or at best those gifted with the powers of self-delusion. I’ll leave such suppositions to the professional tale-spinners, because the real world has enough power to frighten without predicting worse things. We try to buttress ourselves against the future, in the same way we buttress ourselves against death by clinging to ancient fairytales. But there is no God and we are his prophets, as Cormac McCarthy once said, and I’ll sign off with another of his quotes…

People were always getting ready for tomorrow. I didn't believe in that. Tomorrow wasn't getting ready for them. It didn't even know they were there.

Review of DEVERELL GATEHOUSE by KAREN MACLEOD

by Barbara Scott Emmett

4 stars

In an effort to  reconcile with her estranged husband, Imogen Webb goes to stay at the possibly haunted Deverell Gatehouse with her in-laws. Before long mysterious happenings occur in and around the mediaeval Gatehouse and soon Imogen finds herself transported back to Tudor times. At first these visits are brief but tension soon builds around whether she can get back to the present and bring with her a modern day child who has become trapped there.

Imogen is also desperate to help an imprisoned and tortured priest and to change the course of his life and death at the hands of Mary Tudor. However, she finds herself having to question whether history can, or should, be changed.

This is a gripping timeslip novel and both the modern day and historical sections are compellingly written. The history of the time is chilling and many of the characters are real personages who are brought vividly to life.

The present day characters bicker and get on each other's nerves, creating a lighter counterpoint to the stark 16th century—until the denouement, when they all become embroiled in a fight for life and justice. Running through the novel is a deftly handled romantic strand and a modern day struggle to save the ancient Deverell seat from developers, making this a very satisfying story.

Karen MacLeod usually writes historical novels and this is evident in the accuracy of the period detail. I found I had to pay careful attention in order to keep up with who was who, but then this is not a period of which I already have any great knowledge. Those fascinated by the dark days of religious persecution and bloody murder will love this book.


Barbara Scott Emmett lives in Newcastle and writes in a room overlooking the Tyne. She shares this writing space with her husband, crime novelist Jimmy Bain, and their cat Gizzie. When not writing she edits the work of others and assists in ebook creation.

The Poison Boy by Fletcher Moss

reviewed by Anne Stormont

5 Stars

magical storytelling for all ages

Wow! What a read! It's easy to see why this first novel from Fletcher Moss won the 2013 Times/Chicken House Children's novel competition.

It's a swashbuckling, sewertramping, riverswimming, mudswilling, punchflinging, pistolshooting adventure story. Set at an indeterminate time - but one that recalls aspects of the Georgian, Victorian and Edwardian eras - and in the fictional town of Highlions - a sort of smaller, darker London type city - complete with river running through, the book has crime, intrigue and plenty of surprises - as well as a bit of sweet and innocent first love.

And, hurrah, there's not a vampire in sight!

The story is told in a succinct and uncluttered way which gives it the brisk pace that its target readership demands. The plot is essentially a quest - a quest for justice and to solve a mystery. The main character is Dalton Fly who works as a poison boy. His work involves pre-tasting the food of the rich in order to ensure it's safe to be eaten. After his friend and fellow poison boy dies horribly having drunk some poisoned wine, Dalton is on a mission to find the poisoner. The mission is dangerous, shocking and throws up some unexpected truths for Dalton.

The characters are complete originals. Dalton is a wonderful and endearing hero who is both brave and vulnerable. His friends, acquaintances and adversaries are also well-drawn. A few deft brushstrokes and his friends including Sal Sleepwell, Scarlet Dropmore and Luke Eppington  are brought instantly to life. You only need to meet them once and you feel you know them.  Dalton's enemies are equally vivid. The truly awful Pallis Tench is gruesome, grotesque and great!

We are led through sewers and tunnels, up chimneys and along rivers, lanes and streets. We are steeped in mud, river water and filth. We see the sights, hear the sounds and smell the smells with lifelike clarity.

The imaginative use of language is superb. I especially love the character names and the 'swear' words - all complete inventions.  And I suspect readers may well want to adopt 'dreck' and 'kite' as undercover curses.
The novel is aimed at 10 to 14 year-olds and would probably appeal most to the middle of that age range. But I have a feeling it could well be a 'crossover' book - appealing to adults and children alike.

This a stunning debut. I would love to read  Dalton Fly's further adventures and really hope there's a sequel planned.

The Poison Boy is published by The Chicken House and is available from bookshops and on Amazon.

Anne Stormont is a writer and teacher. She can be a subversive old bat but maintains a kind heart. As well as writing for this fine organ, she writes fiction for adults - mainly of the menopausal and post-menopausal female persuasion - and for children. She blogs at http://annestormont.wordpress.com - where you can find out lots more about her.  

The Night Rainbow by Claire King

Reviewed by Anne Stormont

5 Stars

a powerful and poignant story of a childhood summer

I read this debut novel when I was ill in bed with flu - and I was transported. I was taken away from my aches, pains, shivers and sweats to a wonderful, warm, French summer. Even better, it was a childhood summer.
I was quickly immersed in the sights, sounds and scents of five-year-old Pea's world. And the story this engaging young narrator tells is moving, powerful and oh so vivid.

As the summer passes Pea and her younger sister, Margot are left to fill their days as they please in the meadows and fields near their house. Pea's widowed and pregnant mother is so pre-occupied with her own grief that she is unable to carry out any mothering duties. Indeed she spends most of her time in bed engulfed in and weakened by her sorrow.

Pea and Margot try to come up with ways to make their mother happy again including trying to find her a new husband. They befriend, and are befriended by Claude, a neighbouring farmer who is also burdened with grief. The girls play, explore and puzzle over the ways of the adults around them.

It's not an easy thing to tell a grown-up  story through the eyes of a child and to render it realistic and poignant for adult readers but Claire King makes it look simple.

This is an enchanting and charming book which will make you both smile and reminisce about the innocence of childhood  -and cry with recognition at the loss of that innocence that adulthood brings.

It is a perfect summer read and indeed a winter sickbed one too.

The Night Rainbow is published by Bloomsbury and is available in bookshops and on Amazon.   

Anne Stormont is a writer and teacher. She can be a subversive old bat but maintains a kind heart. As well as writing for this fine organ, she writes fiction for adults - mainly of the menopausal and post-menopausal female persuasion - and for children. She blogs at http://annestormont.wordpress.com  - where you can find out lots more about her.  


The Red Tent by Anita Diamant

Reviewed by Liza Perrat

5 stars

In the Old Testament, Dinah’s life is only hinted at in a brief detour within the familiar chapters of the Book of Genesis which deals with her father, Jacob, son of Issac, grandson of Abraham and brother of Esau. In The Red Tent, Anita Diamant has taken these scant details of Dinah’s life and imagined them into an amazing narrative of what might have happened.

The author never suggests this is the "true" story. It is a novel, even though it may be based in fact. However, the story seems to be thoroughly researched, and I was as fascinated by her descriptions of life in Biblical times as by the lives of the characters.

The Red Tent explores the lives of the wives and daughter of Jacob, affording us a glimpse into the world of women at that time. Told through the eyes of Dinah, Jacob's only daughter to survive into adulthood, the author has created a wonderful tale of an otherwise minor character.

From the start, we are immediately drawn into the intimate details of the lives of Dinah and her four “mothers”, as Jacob marries Dinah’s mother, Leah, then her sister, Rachel, then takes as concubines the other two sisters: Zilpah, and Bilhah. As the only daughter, Dinah’s “mothers” all love and spoil her, bestowing on Dinah gifts that sustain her through childhood, a calling to midwifery, and a new home in a foreign land. In their relationship with Jacob, and with each other, these women struggle through a range of emotions: jealously, love, pride and loyalty.

We hear about the births of the children resulting from these relationships, as well as Dinah’s childhood of learning from her “mothers” in the red tent, where the women were isolated during their cycles. Within the confines of the red tent, the women bonded in such a way as to give them a subtle power over men, who were fearful of their rituals and knowledge of childbearing. It gave them a certain amount of leverage in a very much male-dominated society.

Later in the story, Dinah’s father, Jacob, leaves his father-in-law’s lands, along with his extensive family and flock of sheep and, eventually, certain events tear these women’s lives apart, as Dinah falls in love and ends up in Egypt.

You do not have to be familiar with the Bible to enjoy this novel as The Red Tent is not, in essence, a religious book, but it does discuss the God of Jacob's father, as well as exploring the many gods worshipped by other cultures of the time. 

This story, about the strength of women, was one of the best I have read in a long time: powerful, beautifully written and imaginatively conceived. I was sorry to reach the last page. Dinah's tale reaches out from a remarkable period in early history, creating for us an intimate connection with our past, and I cannot recommend this book more highly.

The Rumour Mill – sorting the bags of truth from the bags of shite

Heard a rumour but you’re not sure if it’s a bag of truth or just a big bag of shite? Send it to us and we’ll get our top investigative journalist Kris Dangle to look into it for you.

A bloke down the pub the other night told me that all the figures about speed cameras saving lives is just manipulation by the government because it’s really a stealth tax on law abiding citizens who have the right to break the law if they want and the only real place to get any real information about them is from blokes down the pub. Is this truly true?
I’ve checked out several similar rumours – for example, the only place to find out how the NHS should be run is from blokes down the pub or the only place to find out how to win the World Cup is from a bloke down the pub or the only place to find out why windfarms don’t work is from a bloke down the pub - and although several Colleges now offer third level courses in this, resulting in a Dip TS (Diploma in Talking Shite) there is no truth in this at all.

A friend of mine who knows a cyclist said that if a motorist tells you that they have a right to use the road because they pay road tax on their car despite this not being the case since 1936 you are allowed to kick them up their stupid arse without any fear of charges being brought against you. Could this really be the case?
Unfortunately this is not actually the case as there is currently no law against spouting ignorant shite when someone wants to justify being an ignorant cunt. You also can’t punch people in their stupid faces for parking in two spaces outside your local supermarket.

My granddad who is ninety five and knows a thing or two about how to be paranoid said that he heard from his childhood friend that Facebook sells all your posts to the illuminati and that by using all this information they are going to come and kill us all in our beds. Is he right?
He’s not totally correct. Facebook does sell all your information, but it’s just to the government. They have made a list of everyone who has ever posted a picture of their dinner and are currently rushing through legislation to compel all those on the list to wear a t-shirt with the legend – I’m an incredibly sad bastard.

I’ve just heard that the real reason David Beckham is retiring from football is that he finally has enough tattoos to work in a carnival. Is this the absolute truth?
Yes. Apparently he and Ozzy Osbourne have chipped in and bought a Waltzer together and they’ll be asking the residents of seaside towns to ‘Scream if you want to go faster,’ from July on.

Andrew Lownie talks about his agency’s initiative – Thistle Publishing

Interview by JJ Marsh, author of the Beatrice Stubbs series

Thistle Publishing was born out of a combination of frustration and opportunity. As an agent, I was finding publishers were increasingly cautious about commissioning books, even by established authors. Books which I thought very commercial , often with serial potential, were being turned down, sometimes because of concerns about the legal ramifications and sometimes because editors couldn’t obtain full in-house support.

It often seemed power had moved from the editorial departments to sales and legal. Editors were taking longer to make decisions and publishers to publish – books could take up to 18 months to come out after delivery – in what was becoming a very fickle and competitive market. There was also a remorseless drive down in terms of royalties and share of subsidiary rights income and increasing insistence on world rights.

This seemed crazy as, in my view, power had shifted from the publisher to the author. The digital revolution meant authors could easily self-publish and buy in any required services such as editorial and marketing. Amazon had created the largest bookshop in the world and were courting literary agencies offering attractive terms – such as 70% on e-book income compared to 25% from publishers, and licences which could be cancelled at any time – and help with digitisation and cover design. I was also impressed by Amazon’s professionalism, ‘can-do’ attitude and flexibility.

Many agencies were dipping their toes in the market pushing reverted backlist titles or filling territorial gaps where books had not sold such as in America. I decided to be more ambitious and was influenced by your very own writers’ conference in Zurich last October where it was clear changes in the industry were being driven by authors and agents who would be left behind if they didn’t embrace the revolution taking place.

Twenty years ago, I had self-published the complete short stories of John Buchan in three volumes, under the imprint Thistle Publishing, complete with a silk bookmark and handsomely printed by Clays. A thousand copy run of the first volume had sold out quickly so I rapidly printed another thousand copies of a boxed set of the three volumes and sold them through a few key bookshops, ads and mailings. I made more money from that piece of self-publishing than the five editions of my Buchan biography from major publishers and since then I have always been a great supporter of indie publishing, under certain circumstances.

The Thistle imprint was revived, a new company set up with my agency colleague David Haviland as an equal partner, the company registered for VAT, bank accounts set up, a website created and publicists interviewed. We began to scour the agency backlists for suitable titles for reissue and our current submissions for books in which we had a confidence that had hitherto not been shared by publishers. We would not take on books which were not up to our existing quality standards, and we would not be publishers – Amazon was the publisher and we took only our usual 15% agency commission – but we would lend our authority, contacts and expertise to the list.

Though many authors were self-publishing very successfully, it seemed to me that their books looked self-published – not least because it was clear they came from Amazon – and lacked marketing and publicity push. David and I decided we would spend time on cover design and pay for a two-day publicity campaign which could be topped up by the authors. The agency would also use its Twitter and Facebook accounts and the monthly newsletter to add further promotional support.

The aim would be to showcase and establish books for domestic and foreign publishers and film companies in the hope that media attention, reviews and sales might lead to fresh business. Many self-published books were being picked up by publishers and it seemed a strategy that could work even better for agency titles. The fact that Amazon and Thistle didn’t insist on a licence term meant that books could be sold on almost immediately if interest was shown. We also wanted to generate new revenue streams for authors and make all their books work for them whether it was exploiting out of print backlists or ‘plugging’ rights gaps.

The list launched at the beginning of the year. We've published 17 titles now, with another 20 completed and just awaiting publication, and 60 more books in the pipeline. We’ve already had a bestseller with David Haviland’s historical trivia book Why Was Queen Victoria Such a Prude?, which was top in all its categories on Amazon.

One of the advantages of the list is we can react to events quickly so, for example, our first book, Mary Hollingsworth’s account of a papal Conclave, was published the day after the Pope announced he was stepping down, and we were able to quickly turn around a biography of Amy Winehouse to tie-in with a serial in the Sun and the paperback publication of her father’s book. In June we have book on an undercover unit in Northern Ireland tied in to a Panorama programme and a Sunday newspaper serial.

Peter Daughtrey’s fascinating case for the lost city of Atlantis being on the Portuguese coast had a US publisher but not a UK one so we simply published it shortly after it came out in the US, whilst Darren Moore’s thematic study The Soldier had been published in the UK but not yet in the US.

Many books were critically well-received but now out of print and had never had e-book editions – and sometimes never even a paperback - such as Anthony Bruce’s book on the war in Palestine during the First World War: The Last Crusade, Mark Higgitt’s account of HMS Ardent during the Falklands War: Through Fire and Water, and David Stafford’s books of twentieth century history: Spies Beneath Berlin, Churchill & Secret Service, and Britain and European Resistance 1940-1945.

An area with great potential, not least because of translation and film opportunities, is fiction, and Thistle has already begun reissuing MJ Trow’s comic historical crime series based on Conan Doyle’s Inspector Lestrade, which was originally published by Constable. In June we will be bringing out thirteen novels by Guy Bellamy, most originally published by Penguin, whom Auberon Waugh described on first publication over thirty years ago as “a major new comic talent.” Another novelist of whom we have high hopes is Nicholas Best, whose Tennis and the Masai was described by the Sunday Times on first publication as “The funniest book I have read since David Lodge’s Small World.” Later in the year, Thistle will be reissuing some of Joyce Cary’s novels together with a new collection of his short stories – many hitherto unpublished.

Tom Pocock was a naval historian, whom I represented for almost twenty years until his death in 2007 and whose books should never have been allowed to go out of print; Thistle will be reissuing nineteen of them over the summer thereby providing focus and momentum. Similarly, we will be bundling titles under themes, such as a series on Prime Ministers to include James Chambers’s life of Palmerston and RJQ Adams’s books on Balfour and Bonar Law.

Many of the books have an obvious target market which can easily be reached, such as Rachel Woods’s guide for aspiring models, and a forthcoming diet title on the magic Konjac noodle, which is tied in to a promotion by a Konjac distributor. Others have an obvious peg so, for example, we are publishing Paul Merrill’s comic guide to fatherhood on Father’s Day.

Digital has allowed us to explore different formats and lengths and we will be experimenting with a range of Thistle Singles – journalistic, sometimes polemical essays of 10,000-30,000 words around particular events or themes. One of the first will be Katharine Quarmby’s quest to find her father, a visiting Iranian naval officer who was forced to give her up for adoption, and discover her heritage. The e-book will be published for Father’s Day and has been picked up by Amazon’s own publishing programme.

The future looks promising with three Thistle books being actively promoted by Amazon, and all selling well – Churchill & Secret Service is particularly strong, currently at #78 in the overall Kindle bestsellers chart. Though selling books to trade publishers remains difficult, the opportunities presented by digital and Amazon are very exciting for authors and agents.

You can find out more about Thistle Publishing here.

JJ Marsh – author, reader, Triskelite, journalist, Nuancer, reviewer and blogger. Likes: pugs, Werner Herzog and anchovies. Dislikes: meat, chocolate and institutionalised sexism.