A hundred years after
what came to be known as the Bread and Roses strike in Lawrence, Massachusetts,
the Alliance Of Radical Booksellers chose to commemorate
the centenary with the award of the first ever Bread and Roses Award for Radical Publishing.
The award aims to
“promote the publication of radical books, to raise the profile of radical
publishing, and to reward exceptional work.” Eligible books must have been
published in 2011, by author’s or editor’s whose primary residence is in the
UK, and are “informed by socialist, anarchist, environmental, feminist and
anti-racist concerns, and primarily will inspire, support or report on
political and/or personal change.”
“The central
involvement of radical bookshops in the establishment and running of the Bread
and Roses award also really sets it apart from other book prizes,” says Nik
Górecki of Housmans Bookshop, one of the trustees of the award.
Fittingly, the prize
was awarded on May Day 2012, in the Bread and Roses pub in Clapham, London.
The judges – children's novelist and poet Michael Rosen,
lecturer and feminist author Nina Power, and Festival Director of Liverpool’s
annual Writing on the Wall Festival, Madeline Heneghan – came to a close
decision, with two books from a shortlist of seven vying for the top place.
Nicholas Shaxson’s Treasure Islands: Tax Havens And The Men Who
Stole The World, was commended by the judges for its thoroughness of
research, and ‘usefulness’ in the current political climate.
But it was David Graeber’s Debt: The First 5,000 Years that came away with the award.
Presenting a
beautiful sculptured metal rose to the winner on behalf of the judging panel, Power
said:
“The winner of the
first Bread and Roses prize for Radical Publishing has written a text that
breaks many rules, and does so excellently in each case: this is a book that
covers so much material, refers to so many historical periods and geographical
spaces, that the reader is dazzled – not only by the easy erudition of the
writer but about how much it is possible to learn and with so little pain.
“It’s a book that has
the appearance – and at 534 pages, literally so – of a fearsome academic tract.
But it avoids everything that frequently plagues academic writing: this book is
instead engaging, readable, relevant, motivated by a clear political will and
utterly indispensable not only for understanding the terms of the world we live
in, where they came from, but also for what we do about changing them. It is a
book written from the heart, albeit with the aid of a library the size of a
palace – a people’s palace, that is!”
Nik Górecki and Nina Power |
The notion of judging
radical writing brought up some interesting questions as to how to evaluate
desirable qualities, says Górecki.
“As this was the
first year the award was given, the trustees wanted us to talk that out and
think about what we were actually asking of radical publishing,” explains Power. “We talked about whether it was a problem if
a book was essentially academic or whether we wanted something that had already
garnered a wide appeal. But our major
political dicussion was around whether we were looking for something that diagnoses
the present or summarises the past - or something
that points the way forward.”
Górecki says, “We
hope that as the prize continues in the future this is something we will
continue to address, and that readers, writers and publishers will debate. We
are starting this process by holding a panel discussion on the 9th May
at Housmans Bookshop with Pluto Press editor Anne Beech, anarchist blogger Ian
Bone, and Guardian journalist Suzanne Moore, asking ‘What makes good radical
writing?’”
In the light of
recent events, it is perhaps not surprising that so many of the books from the
shortlist were concerned either with economics (as both Graeber’s and Shaxson’s
books were) or with protest movements.
Nadia Idle with co-editor Alex Nunns |
Nadia Idle, one of
the co-editors of the shortlisted Tweets
from Tahrir, talked about the challenges of creating a book from an
essentially ephemeral, fragmentary source.
“We set tight limits on
ourselves – only posts from Tahrir itself, and only those in English. The timescale was compressed too. Just eighteen days, so in a sense the
narrative thread was already there.
“We also made the
decision that every single person involved should agree to our using their
tweets. It helped that I came from that Egyptian
activist background. I knew who to
contact and people didn’t see us so much as a bunch of outsiders coming in to
make money off their backs.
“Immediacy was very
important. We went with OR books because they had a model of being able to turn
round a book very fast. The downside of
that is that they use print on demand, so there have occasionally been supply
problems.”
Authors of radical
books, more than most, must be able to pull off the trick of transforming
themselves from writers shut away with their own computers to campaigners
championing their own books.
Tim Gee |
Tim Gee, author of another
shortlisted book, Counterpower:
Making Change Happen, told me:
“At heart I always
see myself as a campaigner. For a year
or more, the main thing I was doing was sitting in my room obsessing over every
last sentence: is this phrased in the right way, is the spirit of this right,
is this said as well as I can say it? But
I started writing the book after climate camp last year and finished it sitting
at the base of Nelson’s Column on the day of the anti-cuts march. I saw the book a continuation of the work I
do in grassroots training and empowering. I have lost count of the number of
workshops I have run since the book came out, but it’s definitely broken the
forty mark.”
How healthy is radical
publishing at the moment? Perhaps
surprisingly, given that the publishing world is often seen these days as growing
increasingly narrow, people here are optimistic.
“Radical publishers
are actually doing very well,” Power says.
There is a demand for coherent, non-patronising and interesting political
writing that isn’t being served by mainstream publishers. Since economic crisis, for example, people
are looking for a demystification of terms surrounding financial speculation. Lots of material is successfully crossing
over from blogs into print. I don’t buy
the argument that people’s attention spans are killed. People can follow Twitter and still want to
read books.”
“Among NGOs there has been rush for centre
ground, targetting the as-yet unconvinced,” says Gee. “That’s opened up a gap for individuals from
social movements to fill the more radical space.”
“Radical publishing
is going through a renaissance, making the establishment of the Bread and Roses
Award timely,” says Ross Bradshaw of Five Leaves Publishing
Power agrees. “One of the critiques of exisiting prizes
that they can be introverted, cliquey and corporate. So this is a very strong
prize, with the aim to ensure the future of radical publishing.”
A full description of the shortlisted books can be found at http://www.radicalbooksellers.co.uk/?p=184:
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