In our regular series, international writers share some snapshots from their part of the world. This issue, Kevin Booth shares some perspectives on Barcelona and Catalonia.
What’s so great about Barcelona?

And if it gets too much, or things are looking like they might boil over into a revolution, you can always go to the beach and contemplate that particular shade of indigo that the horizon takes on at sunset.
Tell us a bit about the cultural life of the place.
“Once upon a time there were two kingdoms who fell in love and got married. After several centuries, one found that her identity and sense of self was being swamped (if not stamped on) by her partner, so she started thinking about divorce …”
Independence is the buzzword of the moment. The upcoming elections on 27 September are being touted as a plebiscite for independence. After that we shall see. Politics is ingrained here, into every nook and cranny of people’s DNA. When I went back to New Zealand, it was the politics I missed about this place – though the UK is also wonderfully and fervently vociferous in its politics.
What’s hot? What are people reading?
However, Lluís Llach, one of the country’s staunchest singer-songwriter-poets, a man you might describe as Catalonia’s Bob Dylan – though with a touch more Marxist conviction, humanist ideals and minus the religious confusion – has recently turned his hand to novel-writing, with wonderful results. His first book Memòria d’uns ulls pintats (Memory of Eyes Made-Up) is a touching story of four adolescents growing up in the Second Spanish Republic and ensuing Civil War, their education in the non-religious, humanist “modern schools” of the time, and the consequent tragic outcome of the Fascist victory in Spain. His latest novel Les dones del Principal (Women of the Principal), describes three generations of women surviving and thriving in the patriarchal culture of twentieth-century rural Catalonia.
Can you recommend any books set in the city or the region of Catalonia?

Carlos Ruiz Zafón’s La sombra del viento (The Shadow of the Wind) is a noir novel set in a post-war Barcelona where it is always raining. You can follow the novel’s twists and turns through the city streets.
And of course my own Celia’s Room, a novel of interlaced narratives where two young men in Barcelona in 1990 struggle to find themselves, their identities and their art in a city that is also changing its skin, shedding a dull, Francoist past to embrace its Olympic future as a designer city set beside the sea.
Who are the best known local writers?

Is the location an inspiration or distraction for you?
Very much an inspiration, but also a terrible distraction. I live in the neighbourhood of Poble Sec (hence the name of my press, Poble Sec Books). While none of my characters in Celia’s Room have lived here, they do pass through the “barrio” (neighbourhood). It’s a formerly working-class district that has recently come into fashion for its mix of ethnicities, restaurants, bars and, of course, for the Poble Sec Festival, when we spend two weeks dancing and drinking every July. So, yes, that is rather distracting!

What are you writing?

I also write the blog www.barcelonafreeart.net which focuses on art you can see for free in Barcelona.
Sum up life in Barcelona in three words.
Chaotic, fluid, sublime.
Kevin Booth is a bit of a nomad mainly based in Barcelona who writes contemporary fiction under his own name and speculative fiction as K. Eastkott. All of his works are available at www.poblesecbooks.com along with a list of retailers. Go to www.barcelonafreeart.net for suggestions on art you can see for free in Barcelona, follow Kevin Booth on Twitter or “like” him on Facebook for updates and free stuff.
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