She sits cross-legged as the tourists pass; hair scraped
back framing the latest slate-grey bruise. She has stolen the vagrant’s patch
and, although they both believe they are entitled to it, only one of them has
pissed on it as a declaration of that. It’s right by the square, a popular
slot. She glugs at a bottle of vodka, folding pleats into pages she rips from
the book at her side. She does this for hours, there are hundreds of pages.
Rip. Fold.
Each tiny origami animal she makes is different. This skill,
this behaviour – like many others – was learned from her mother when she was
young. They would sit together after the beatings and make them. She remembers
to fold and she folds to forget. A curious crowd are watching her arrange the
fragile paper animals she makes. They gather around her in a semi-circle. These
are the same people as you or I, the same people on the television, the same
people that watch as she comes into work with a broken arm one week, leave the
pub with a splintered nose the next. Smack. Crunch
They watch and they ooh-aah
as she places a lion, a dog, a bear all in a row. These are different to the ooh-aahs the neighbours heard, ears
pressed to the walls. They heard nothing officer
as she fled the house with just a bottle of vodka and the bible her husband
battered her with. Her mother left the same species of animal a decade before.
Except she left in an ambulance. A woman captures the clever folding on her
phone from three different angles. She considers a panoramic – there’s a good
backdrop of lobelia on the wall behind. A blushing purple, the bruise of a good
summer. A man scatters a handful coins like breadcrumbs near the bottle. Clink.
Clunk.
She gently places the last paper animal down. It lands
perfectly, one paw balancing on the next wing on the tail of another and,
delicately, she spills the last of the vodka over the animals. With one match
they catch fire like dominos and flare out one word in the street: Arsehole. No–one really understands what is happening or why but they think it is art and
after a few seconds the words have disappeared into white curls of puff. The
spectators cheer for no reason and give her whatever change they have left.
After all, art is what separates us from animals, isn’t it? Clap. Hurrah.
She watches the arms and the legs of the Arsehole word which
means nothing turn to ashes and blow away like cobwebs. The cobwebs disappear
like a three day old bruise will. She knows there will always be more animals,
but for now she sits with her bruise and her empty bottle, holding tight to the
still-warm coins and the mistimed interest of strangers.
Flash 500 runs three competitions. We have an open-themed category for fiction up to 500 words. There is also a humour verse section, asking for any form of funny poetry, from a limerick to a poem of 32 lines.
Both of the above are quarterly competitions with closing dates of 31st March, 30th June, 30th September and 31st December.
The Novel Opening Chapter & Synopsis Competition is a new annual competition, opening for entries on 1st May and closing on 31st October.
For information on all three competitions, visit the Flash 500 website: www.flash500.com
Both of the above are quarterly competitions with closing dates of 31st March, 30th June, 30th September and 31st December.
The Novel Opening Chapter & Synopsis Competition is a new annual competition, opening for entries on 1st May and closing on 31st October.
For information on all three competitions, visit the Flash 500 website: www.flash500.com
What a beautifully written tale. Great use of words, especially the bit about remembering to fold and fold to forget.
ReplyDelete