Are writers and their readers getting
any closer to fair deals for all? The answer from the 2014 London Book Fair
seems to be yes.
The
theme at the heart of this edition of Words With Jam is the London Book Fair
(LBF). I must admit that when the Ed let us, her team of humble scribblers,
know this, I was discombobulated. 'That's not fair,' I thought. (See what I did
there?)
Although
Her Editorness is no tyrant, and the
theme is always just a suggestion for the way to go when writing an
article, I have always managed to come up with something theme related. I know,
for someone who proclaims herself to be a subversive old bat, this is rather
conformist behaviour. But, hey, it's too exhausting to be rebellious all the
time.
So,
back at the theme. I've never been to the LBF, so what could I do to maintain
my 100% conformity record. Not only have I never been to the LBF, I've never
been to any book fair.
I've
been to several book festivals, yes,
but I don't think book festivals and fairs are quite the same thing, are they?
My perception is that book fairs are more for writers and publishers, and that
book festivals are centred around readers, and authors interacting with their
readers.
I've
enjoyed all the book festivals I've been to including Edinburgh, one of the
biggest - and dare I say - best. I've
listened to writers I admire talking
about their work. I've taken part in question and answer sessions with well
known authors. I've listened to journalists and politicians in discussion on
various topics, usually related to one or other's newly published book. I've
soaked up the bookish atmosphere, browsed the booksellers' shelves, and sat in
the outdoor cafes and bars watching out for famous literary figures. I've even
dreamt of one day appearing at a festival as a writer... But following a rather
sniffy and snotty rebuff for even daring to approach the organiser of a
relatively small, relatively local, book festival five years ago, I've sort of
given up on that dream.
But
as a reader, I still love book festivals. Book festivals exist to encourage us
to read. They draw us in and give us a deeper insight into the crazy and
wonderful world of books. At Glasgow's Aye
Right book festival this year, you could attend talks by writers as diverse
as polymath writer and artist and Whitbread prize-winner, Alasdair Gray, who
was launching his memoirs; former bishop of Edinburgh, Richard Holloway, who revealed
he reads Nietzsche; and crime writer Val McDermid, who has done a contemporary
rewrite of Jane Austen's Northhanger
Abbey. You could also hear close-to-the-bone comedian Frankie Boyle
talking about 'Five Books That Made Me'. Surprisingly perhaps, Boyle turned out to be a fan of the work of
Noam Chomsky and Tolkien's Lord of the
Rings. Yes, the rich world of literature is indeed brilliantly showcased at
a well-run book festival.
But
what of the book fair? Does it in any way relate to the book festival. I've
heard of the Frankfurt book fair. I know it's the biggest of the book fairs
where literary agents, publishers, rights and licensing experts and writers can
all meet up and exchange ideas expertise and insight. And I know from what I've
read about the LBF that it's the same. As a one-woman author-publisher, it
didn't occur to me that there would be anything of relevance to me at such
gatherings. These meetings were for the big boys surely. That's what I thought.
Then I read online reports of how the LBF went.
Most
of the reporting that I read came from members of The Alliance of Independent Authors (ALLi) http://allianceindependentauthors.org/
Their experiences all sounded positive and informative as regards how to get
work published, protected and publicised. ALLi was at the LBF to launch the Opening up to Indie Authors book and campaign. The book is by ALLi stalwarts
Dan Holloway and Debbie Young. As an author-publisher, I was greatly encouraged
by the fact that ALLi were even at the LBF. You can read a full account written
by ALLI's founder, Orna Ross, of how it was to be at the fair here http://www.ornaross.com/2014/04/how-self-publishing-saved-my-writing-life-thoughts-from-lbf2014/
The
level of professionalism encouraged by ALLi and achieved by many 'indie'
writers, along with the growing number of successful, good quality
author-publishers, (some of whom have previously been traditionally published
but have chosen to take more control of their work by adopting the indie route)
really do seem to be leading to significant changes in the world of publishing.
This is good for readers too, as their choice of reading matter is less
restricted, especially if their tastes aren't mainstream.
And
just as for readers visiting book festivals, it seems that the world of book
fairs holds much to enchant all sorts of writers. I've promised myself I'll
visit at least one in 2015. And, I reckon, thanks to ALLi, I'll feel welcome
and comfortable. Perhaps the Alliance could look at book festivals next, see if
attitudes have moved on there too.
But
some book festival organisers already have an open-minded and inclusive
approach to most things book related. And, on that note, I wouldn't want to end this perusal of fairs
and festivals without mentioning the Edinburgh
Independent Radical Book Fair. The fair takes place in October every year
and is run by Wordpower Books who
have an actual, bricks and mortar book shop in Edinburgh's Nicolson Street.
They also run the Online Independent
Bookshop http://www.word-power.co.uk//
Wordpower
promote non-mainstream small presses and new writers. However, it's also
possible to buy any book from them.
The
programme for this year's fair hasn't been announced yet, but in the past
topics have included politics, polemics and poetry as well as showcasing some
great fiction writing. The sub-title for the event is the Alternative Book Festival and so here we see both fair and festival
being used interchangeably. And the use of both terms is at least partly
justified. The Independent Book Fair is about readers AND writers. The
philosophy and ethos are inclusive. The target group of presenters and audience
is broad. It's not offering technical advice to writers or bringing writers and
publishers together. Neither is it in thrall to bestsellers or celebrity authors.
These things are the province of the more traditional fairs and festivals. I'm
glad that something like the Independent Radical Book Fair exists. There's a
place for it and for other types of book-themed gatherings like LBF and Aye
Right too.
Now
if we could just get a festival that embraces author-publishers and an
independent bookseller that welcomes independent authors, that really would be
progress...
And
following the developments at the LBF, there now seems to be real grounds for
optimism that good quality literature in all its forms, sources, genres and
readerships will be able to get shelf room (real or virtual), and that the
traditionally published and the independently created can co-exist. We live in
interesting times.
The Alliance of Independent Authors can
be found on Twitter at @IndieAuthorALLi and on Facebook at https://www.facebook.com/AllianceIndieAuthors and at the website address above.
---
Anne Stormont is a writer and teacher.
She can be a subversive old bat but maintains a kind heart. As well as writing
for this fine organ, she writes fiction for adults – mainly of the female-of-a-certain-age persuasion – and
for children. She blogs at http://putitinwriting.me – where you can find out lots more about
her.
Do not choose a title that is too obvious or that has been written by thousands of applicants. http://www.essayspresident.com/ Also avoid controversial topics and select a topic that you can effectively justify.
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