Sean from Brighton
sent in a formatting question: I
never know when to use capitals in titles. I see sometimes there are words in
the middle without caps, but I don’t know why. Also, should the title of a
story have a full stop at the end?
I’ll answer the last question first, as it will be the short
part of my answer. No, titles shouldn’t have a full stop at the end as they are
not sentences. However, if the title forms a question, you should use a
question mark or, if it is necessary to show shock, surprise or a similar
emotion, an exclamation mark.
Question: Far from the Madding Crowd?
Exclamation: Far from the Madding Crowd!
Straight title: Far from the Madding Crowd
As you can see from the title I’ve borrowed in the
explanation above, some of the words are in lower case. What I’ve used is
called title case.
This is because capital letters are used only for the first
word and the principal words.
So, you would use
capitals for all words which are not
articles (a/an/the), conjunctions (any joining word such as
and/but/or) and prepositions (such
as on/in/with/from).
If a title starts
with an article, conjunction or preposition, that would be capitalised, but
only in that case.
Harry Potter and the
Order of the Phoenix does not have the conjunction, articles or preposition
capitalised. However, if the book title hadn’t
included Harry’s name, the first article would need to be capitalised as it
would be the first word in the title: The
Order of the Phoenix
Alice from Tenby
wants to join a professional association, but has been turned down by the
Society of Authors: I’ve
self-published my first novel and I think it’s going to do really well, but
when I tried to join the Society of Authors, I was told I didn’t qualify
because I’m self-published and haven’t yet sold enough books. I know from an
author friend who is a member that the Society offers authors lots of help and
advice with legal matters. Is there something similar for self-published
authors I could join?
Yes, what you’re looking for is ALLi (The Alliance of
Independent Authors), a non-profit association of author-publishers. On their
website it states: We offer connection and collaboration, advice and education.
And we campaign for, and further the interests of, self-publishing writers
everywhere. I’m sure you will find everything you need on their website. The address
is: http://allianceindependentauthors.org/
Veronica from
Marbella has a problem with her novel being too long: I’ve been told by many people (and seen it on countless websites) that
publishers won’t look at debut novels that are too long. I’ve been told mine, a
story set in the days of the French Resistance, should be between 70,000 and
90,000 words. I’m only about two-thirds of the way into it and it’s already
over 85,000 words. What should I do? Should I cut out one of the characters?
Change the plot slightly? Take out one of the subplots? Please help, because I
can’t bear the thought of spending all this time writing a book and then being
told it’s too long to be published.
First of all, the thing to bear in mind about word count
guidelines is that is all they are – guidelines. If a stunning novel landed on
an agent or publisher’s desk that they simply couldn’t put down, there is no
way it would be rejected as being too long, even if it was well over the standard
word count!
Secondly, you have said yourself that you haven’t even
finished the book yet, so there is no way of knowing what should be cut, if
anything.
A first draft is just a way of getting your thoughts and
ideas down on paper. When you go through your first rewrite you will
automatically cut sentences, paragraphs, maybe even entire scenes, because they
don’t fit. You may find that you have two or three minor players who could be
morphed into one stronger character, which again would affect the word count.
On second, third, fourth and fifth drafts, you’ll tighten
dialogue, cut out all the padding and unnecessary adjectives and adverbs.
By the time your novel is ready to be sent anywhere, it will
be a much smoother, sleeker beast than the one you are currently wrestling
with. Get the words down and leave the worries about length and publishing
needs until you’ve polished your baby so that it gleams. If it does that, no
one will care if it’s a few thousand words more than the guidelines say it
should be.
If you have a question for Lorraine, email lorraine@quinnpublications.co.uk
Lorraine
Mace is the humour columnist for Writing Magazine and a competition
judge for Writers’ Forum. She is a former tutor for the Writers Bureau,
and is the author of the Writers Bureau course, Marketing Your Book. She
is also co-author, with Maureen Vincent-Northam of The
Writer's ABC Checklist (Accent Press). Lorraine runs a private
critique service for writers (link below). She is the founder of the Flash 500
competitions covering flash fiction, humour verse and novel openings.
Her debut novel for children, Vlad the Inhaler, was
published in the USA on 2nd April 2014.
Writing as Frances di
Plino, she is the author of the crime/thriller series featuring Detective
Inspector Paolo Storey: Bad Moon Rising, Someday Never Comes and Call It Pretending
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