Cornerstones provides editorial feedback on all manuscripts,
scouts for agents and specialises in launching first time authors. It’s a
teaching-based skills company and has just launched a one-to-one bespoke mentoring
package. We asked Ayisha Malik, managing editor at Cornerstones, a few
questions about the new scheme.
What
criteria do potential mentees have to meet before being accepted onto the
programme?
We
read sample pages and a synopsis from all first time authors in order to
establish whether they're ready for a report (as well as to get an idea of
their style and what writing stage they're at). We don’t take on every
manuscript as the self-editing process can have a negative impact if the
author’s not ready. The great thing about mentoring is we're now able to help
authors who need that one-on-one attention – whether they're at creative
writing stage and need help with core technical issues, or at a more advanced submission
level.
How
does mentoring differ from a critique or editing of a person's manuscript?
Mentoring
is more bespoke in many ways. Each author struggles with different aspects of
writing: Show Don't Tell, structure, POV, writing a synopsis and plotting their
story, for example. A mentor will be able to develop exercises and provide
guidance based on what they feel the author needs most help with. The author
will have ongoing access to the mentor's support on a one-to-one basis, whether
that's asking them to re-read some revised pages, thrash out plot ideas or address
style issues.
What
are the main benefits of working one on one with an experienced mentor, rather
than in a group?
Peer
feedback can be very useful and has its benefits. However, it's no real
replacement for professional advice from someone who's been in the industry and
has experience helping authors. All our mentors have a background in teaching
writers as well as either having industry experience or being published writers
themselves. They also have the added benefit of market knowledge, which should
help inform the author's writing if they're geared towards finding an
agent.
A
worry for writers working one on one is that the feedback is an individual
person's opinion. How do mentors overcome that?
It's
true that there is always an element of subjectivity with any MS. However,
advising an author on whether the structure isn't right, or highlighting weak
characterisation is very different to saying they don't like the way, let's
say, a certain character comes across. It is our mentors' job to be candid –
there'd be no benefit to the author otherwise – but we also ask that authors
stick to their gut instinct if something doesn't quite resonate with them,
(though often a mentor will pick up on what an author's already aware of).
Whatever the author's final decision for revision we ask they consider why a
mentor might have highlighted a certain issue. And of course, because of the
nature of mentoring the author might find a brainstorm with the mentor about
any doubts for their revision helpful.
How
do you match mentors and clients so they're a good fit?
This
is one of the benefits to reading a sample of writing and a synopsis in the
first instance. We know our editors inside and out in terms of their literary
experience and preferences and it often occurs to me while reading a sample,
which mentor would be the perfect match for a certain MS. We'll soon have our
mentor and team page up on our website so authors will also be able to see for
themselves their expertise. We also send the sample and synopsis to the mentor
(if they haven't worked with the author before) and tend to assign the MS to
the one who's most excited about the project.
Do
you provide mentorship for fiction, non-fiction, or both?
Both
and all genres.
Would
this work for writers living in other countries, or is much of it face-to-face?
We're
global and already work with authors abroad so the mentoring will also extend
to them. Many authors use phone or Skype, which can work just as well as face-to-face,
for any discussions with the editor, or they can take place via email. Again,
it's very much what the author feels happiest with.
What
do your clients go on to do after the programme?
It's quite a new programme so we're excited to
see where it might lead for each author. Whatever they go on to do, it should
be a useful and rewarding experience, the result of which should be stronger
writing and perhaps even a finished manuscript ready for submission to agents!
Cornerstones is offering a
one hour free consultation to launch the mentoring scheme until 16th
February. Visit http://cornerstones.co.uk/mentoring/ for more information.
No comments:
Post a Comment